![]() ![]() The show was also known to have had celebrity guests before they became famous, including Steve Buscemi, Lili Taylor, Matt LeBlanc, David Spade, Gina Gershon and Richard Belzer. Spelling had acquired Laurel Entertainment, the show's production company, during its original run, which was distributed by Tribune Entertainment, but its syndication rights reverted to Worldvision Enterprises (which Spelling acquired around the same time as Laurel) upon the show's conclusion. Its rights are currently held by CBS Studios through its Spelling Television unit. They are revealed to be hideous humanoid creatures with Extra Eyes and elongated, deformed faces who snack on candied insects, yet they are all live and dress in a typical Eighties suburban setting. The Title Sequence of the show is a cheesy-yet-perversely surreal take on a Sitcom intro, which begins with a seemingly innocuous family discussing what to watch on television. Adding to this was a sense of comedy often lost on horror productions, which might in some instances lighten the audience's mood (often deceptively) but in many cases added to the overall eeriness of the production. Similar to Tales, however, the stories in Monsters were rarely very straightforward action plots and often contained some ironic twist in which a character's conceit or Greed would do him in, often with gruesome results. As the name implies, each episode of Monsters (with very few exceptions) featured a different monster, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats. ![]() While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. It differed in some respects nonetheless. ![]() Rubenstein), and in some ways succeeded the show (which had ended the same year in which Monsters began). A horror anthology show in a similar vein to Tales from the Darkside, it shared the same producer (Richard P. ![]()
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